Review: Club Sol Party, Bethnal Green Working Men’s Club
May, the random 5th month in the year where Mother Nature is undecided, and New Years resolutions have been long abandoned. However uneventful May might be, it ...
Marcus Emmanuel
Review: This Must Be The Place, VAULT Festival
London is, and has always been my home. My urban playground and my cultural melting pot of professional development and personal frivolity. The capital of the U...
Review: Misirlou, Etcetera Theatre
Misirlou explores death: understanding it, accepting it and cheating it. It’s a dark and meaningful topic that has me expecting a philosophical and stimulating ...
Review: Children of Eden, The Union Theatre
Sunday. An hour spent sitting in a chapel listening to words of wisdom coming from a priest who battles against crying babies and soar throats. The alter is his...
Review: Decades, Ovalhouse
Teenagers. The word alone (now that I am in my early twenties), leaves me in disdain as I struggle to compete with them at the shopping centres they congregate ...
Review: The Mother, The Tricycle
Criticising the conventional depiction of the nuclear family, Florian Zeller’s The Mother invites the audience to witness the breakdown of the family unit throu...
Marcus Emmanuel
Having attended Theatretrain performing arts school for almost a decade, Marcus spent his teenage years in the spotlight performing on stages across London. Paving a career for himself in the creative and artistic industries after obtaining a degree, Marcus is returning to his theatre roots in the hopes of encouraging young people to view the theatre as a cultural and social experience.