3.0
Review: Band of Gold, Cambridge Arts Theatre
It’s the early 90’s and the monochrome cityscape gradient of the sliding backdrop suggests an industrial revolution setting. Suspicions are confirmed as the ha...
Feminism
3.0
3.0
Review: Nora: A Doll’s House, Young Vic
“You’ve lies in the whites of your eyes, Nora. What have you done?”Playwright Stef Smith re-works Henrik Ibsen’s 1879 play A Doll’s House into a fluid feminist...
4.0
Review: Tinted, VAULT Festival
The Me Too Movement and #Metoo are as synonymous with this past decade as the terms Climate Emergency, March for Our Lives and Brexit. Initially used by activi...
Stop Claiming Your Work is ‘Female-Led’, Just Because There’s Women In It
Alice Flynn is not happy about the flippant use of the term 'female-led' for shows that really, just aren't. Does she think a show directed by a man can ever b...
Stef Smith: “I don’t think a word of Ibsen’s has made it into my Nora.”
Lindsey Huebner talks to Playwright, Stef Smith as she gears up to bring her adaptation of A Doll's House to the Young Vic stage. They discuss the power that c...
5.0
Review: The Welkin, National Theatre
Stemming from the Old English word for ‘cloud’, the welkin is a vault in the sky: the home of the legendary Grigori, an elite race of angels tasked with watchi...