4.0
Review: Endgame, The Old Vic
“And to think that is organic waste! All that splendour!” Director Richard Jones tones down the nihilism of Beckett’s Endgame and refreshingly cakes the voi...
Olivia Lunn
4.0
3.0
Review: Nora: A Doll’s House, Young Vic
“You’ve lies in the whites of your eyes, Nora. What have you done?”Playwright Stef Smith re-works Henrik Ibsen’s 1879 play A Doll’s House into a fluid feminist...
5.0
Review: MÁM, Sadler’s Wells
‘MÁM’ is a primal scream that oscillates from sensitivity to invasiveness. Creator Michael Keegan-Dolan leaves us with impressions, rather than narratives, mar...
3.0
Review: The Ocean at the End of the Lane, National Theatre
Kathy Rudd’s staging of Neil Gaiman’s children’s book brilliantly interrogates the ever-thinning separation between reality and the imagination. We follow a ch...
3.0
Review: Until The Flood, Arcola Theatre
Dale Orlandersmith's Until The Flood is a collage of personalities; it explores the way in which a moment is monumentalised. That moment was in Missouri, when ...
5.0
Review: Stripped, King’s Head Theatre
A play about bodies, and the minds that sculpt them, Stripped gradually peels away the layers of hypocritical gloss that shroud the politics of gender. Ollie p...
Olivia Lunn
Olivia is a graduate of UCL, where she studied English Literature and enjoys translating the feeling of a play into words.