Theatres must employ people of colour at every level of production
This is the full audio of the article Though she's overjoyed at the return of in-person theatre, one of our writers, Asia is still desperate to see furthe...
equality
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Review: Scrounger, Finborough Theatre
Athena Stevens as Scrounger sits in an armchair in the middle of the stage; a simple white wall is behind her with two doors and two windows surrounded by colo...
I have been running a feminist theatre for over ten years
Brigid Lamour, Artistic Director or Watford Palace Theatre talks about running a feminist theatre and doing all-female Shakespeare As Artistic Director and C...
Blog: Why We Created University Women In The Arts
With so many arts graduates female, but so few women at the top of some of our creative industries, Jennifer Tuckett, Course Leader on the MA Dramatic Writ...
Blog: Pay inequality and political unrest, why Made in Dagenham resonates so acutely
On the way to the Queens Theatre for our first day of tech rehearsals for Made in Dagenham, my eyes are drawn to the leading article on the Guardian homepage: “...
Review: Faster, Higher, Stronger, Straighter, Dominion Studio
I unfortunately missed Damien Tracey’s Warde Street, though the excellent reviews he gathered certainly forced me to take notice. Faster, Higher, Stronger, Stra...