Review: Marnie, London Coliseum
Nico Muhly is back at the Coliseum with the world premiere of a new opera, following 2011’s Two Boys. Based on Winston Graham’s novel – and dramatised by Hitchc...
coliseum
Review: Carlos Acosta – A Classical Selection, The Coliseum
This week Cuban ballet giant Carlos Acosta celebrates the end of his 26-year ballet career in a retrospective, Carlos Acosta – A Classical Selection, looking ba...
Review: The Queen of Spades, The Coliseum
ENO concludes its latest season of work with The Queen of Spades, an opera that’s been dormant in their company for over 20 years. David Alden’s staging of T...
Review: The Indian Queen, London Coliseum
Known for his eccentric and often visually glorious productions, American director Peter Sellars has created his own version of Henry Purcell’s The Indian Queen...
Review: Kings of the Dance, Coliseum
A mixed bill is always going to have highs and lows, and although Kings of the Dance does have the odd less-successful moment, on the whole it is a triumph....
Review: Madam Butterfly, London Coliseum
Puccini's Madam Butterfly is one of the world's most celebrated operatic achievements. First performed over a century ago in 1904 at the Teatro alla Scala in ...