Review: The Queen of Spades, The Coliseum
ENO concludes its latest season of work with The Queen of Spades, an opera that’s been dormant in their company for over 20 years. David Alden’s staging of T...
Hannah Tookey
Review: Known, Pleasance Theatre
There’s something strange about watching a production in which there are no fictional characters. Shows after which a quick Google search or snoop on social med...
Review: Nightingales, New Wimbledon Studio
Discussions around rape culture have been building steadily over the last few years, with attitudes slowly changing. Rape culture is talked about actively and o...
Blog: Dirty Rotten Scoundrels – learning the moves
Hats were thrown, people were swung and dance skills were tested at the Dirty Rotten Scoundrels digital press night. I haven’t danced properly in well over two ...
Review: Blister, Gate Theatre
There’s an omnipresent sense of danger lurking somewhere underneath the surface of Blister. The lighting, in its contrasting states of either a dim yellow or ey...
Review: Riding The Midnight Express, Soho Theatre
It’s almost 40 years since Billy Hayes endured a gruelling and anxiety-inducing escape from Turkey’s Imrali Island Prison. Yet even long after having successful...
Hannah Tookey
Hannah is a freelance theatre and film producer with a slightly worrying addiction to coffee and travel. A graduate of Warwick University, she's worked with the RSC, NYT, and Many Rivers Productions, amongst others.