5.0
Review: Bloody Elle, Royal Exchange Theatre
Listen to the audio version here. Waking up in Manchester, I’m looking through
my notes to figure out if my memories are true. I’m not hungover, at least no...
Bryony Shanahan
5.0
Blog: How does an ‘emerging’ director break out?
Director Bryony Shanahan describes the impact of winning a Genesis Future Directors Award for her production of debbie tucker green's trade at the Young Vic. ...
Review: Weald, Finborough Theatre
Snuff Box Theatre’s world premiere of Weald, written by Daniel Foxsmith, is another new writing highlight for the fabulous Finborough Theatre. It is refreshing ...
Review: Operation Crucible, Finborough Theatre
The most infectious feature of Kieran Knowles’s debut play is the tight amity and paced unity of the cast that is matched by the inherent camaraderie in the plo...
Review: Quiet Violence, The Roundhouse
Entering the cavernous studio space within The Roundhouse, I didn’t quite notice Sophie Rose at first – talking easily with audience members in a front row of s...
Feature: Bitch Boxer – “I just wanted to know what it was like. To hit and be hit.”
When I ask Charlotte Josephine how she began writing for the stage, she tells me her primary motivation was one of frustration. While auditioning for drama sc...