Blog: Pay inequality and political unrest, why Made in Dagenham resonates so acutely
On the way to the Queens Theatre for our first day of tech rehearsals for Made in Dagenham, my eyes are drawn to the leading article on the Guardian homepage: “...
Brexit
Feature: Power shifts and the hidden world of toilet attendants
Could the hidden struggles of Britain’s toilet attendants spark powerful change? A play inspired by a whole night in a nightclub’s toilets, conjuring up the ...
Edinburgh Fringe Review: Eurohouse, Summerhall
Eurohouse begins with the audience holding hands in a circle. It is a simple but symbolic act in a piece that takes a sideways look at the once harmonious partn...
Review: Screens, Theatre 503
Recently there has been much said about the right to human mobility, with little of it in defence. As the global movement of people responds in quantity to mass...
Feature: Blurring the line between political fact and fiction in Proud
It’s impossible to escape the numb uncertainty that has screeched in our mostly, dumbfounded faces for the last month. Like a banshee that has devoured four bag...
Feature: ‘Britishness’, roots and identity politics explored in Octopus
Unless you've been asleep or on sabbatical for the last eight weeks or so – you'll know that the EU referendum has taken over the news and our social media feed...