Edinburgh Fringe Review: Counting Sheep, Summerhall @ The King’s Hall
In February 2014, Kiev’s Maidan Square was overtaken by protesters taking a stand against their corrupt president Viktor Yanukovych and his increasingly anti-EU...
Alastair Curtis
Edinburgh Fringe Review: Expensive Shit, Traverse Theatre
Adura Onashile’s new play Expensive Shit rises to its title, travelling between the bogs of a grimy modern-day Glasgow nightclub and The Shrine club in 1970s La...
Edinburgh Fringe Review: Eurohouse, Summerhall
Eurohouse begins with the audience holding hands in a circle. It is a simple but symbolic act in a piece that takes a sideways look at the once harmonious partn...
Edinburgh Fringe Review: All Quiet on the Western Front, Pleasance Courtyard
In this, the centenary year of the Battle of the Somme, Incognito Theatre’s all-male ensemble have adapted Erich Marie Remarque’s All Quiet on the Western Front...
Edinburgh Fringe Review: Spool, Greenside at Nicolson Square
During the time they have been at this year’s Fringe, friends and collaborators Otto Farrant and Finn Cooke have stayed tied together by rope. From this intimat...
Edinburgh Fringe Review: Lucy McCormick: Triple Threat, Underbelly Cowgate
Look away now if you’re easily offended. Lucy McCormick’s Triple Threat begins as it means to go on: with McCormick’s highly-sexed and potty-mouthed Virgin Mary...
Alastair Curtis
Alastair studies English Literature at UCL. He is President of UCL's arts and culture publication, SAVAGE Journal and regularly writes on theatre, politics, film and art. He is also a Young Ambassador at the Young Vic Theatre.