The digital show using its audience as performers
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Berlin
Review: Cabaret, The Lowry
It is tricky to combine a glistening spectacle with a meaningful lesson in the dangers of political apathy in the format of a large-scale commercial musical. Ho...
Blog: Points of departure – reflections on German theatre
'Atmen' directed by Katie Mitchell I don’t speak German. Not a word. So it was with some trepidation that I travelled to Berlin a couple of weeks ...
Edinburgh Fringe Review: Bonanza
(4/5)
To avoid confusion, Bonanza isn't really a piece of theatre. It involved no live performers, and is more a documentary film presented in an experimental...