Josie Underwood: “If Macbeth was a woman, it would be a different play”
Writer Eleanor Dewar speaks to Josie Underwood, co-founder of the theatre troupe Silent Faces, about not adapting Samuel Beckett, gender in Shakespeare, and ch...
Beckett
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Review: Endgame, The Old Vic
“And to think that is organic waste! All that splendour!” Director Richard Jones tones down the nihilism of Beckett’s Endgame and refreshingly cakes the voi...
Review: A Beckettesque Play, Bread and Roses Theatre
It’s hard to define experimental theatre in a world where everything has been done before. Like an over-used Rubik’s cube where most combinations have been expl...
Competition: Win tickets to the Beckett in London festival at the Print Room
Win a pair of tickets to see a show at the Beckett in London festival
This festival of Beckett’s prose on stage at the Print Room at the Coronet, features thea...
Review: Testimony, Etcetera Theatre
If Testimony has a point, it might be that supercharged masculinity and empathy don’t sit well together. It could well be a critique of the kind of savage entit...
Blog: Theatre should not talk about climate change
Theatre is a life-affirming medium that involves people coming together in a social space and sharing experience. This does not naturally lend itself to ...