Review: Zero Point, Barbican
Inspired by the scientific and spiritual concepts of Zero Point energy, Zero Point is the most recent work by Array, the company of multi-award winning choreogr...
Barbican
Review: Obsession, Barbican Centre
Omnipresent in London this season, Ivo van Hove has emerged as one of contemporary western theatre’s most divisive figures. I found his recent Hedda Gabler at t...
Review: BigMouth/SmallWaR, The Pit at the Barbican
BigMouth and SmallWaR directed by and starring the one man powerhouse that is Valentijn Dhaenens, are performance pieces with text based around the theme of war...
Review: On the Twentieth Century, Silk Street Theatre
On The Twentieth Century is a classic American musical that fits the stereotypical image of a Broadway show perfectly. Set on a 1930s train travelling from Chic...
Review: Phaedra(s), Barbican
Phaedra(s), presented with Odéon–Théâtre de l’Europe, shocks, confuses, and invigorates. The production is based on the Classical tale of Phaedra, who marries T...
Review: Table Top Shakespeare, Barbican
He may be one of the most well-known and celebrated playwrights in history, but William Shakespeare is not an easy man to understand. Language has moved on to s...