Review: The Burnt Part Boys, Park Theatre
The Burnt Part Boys is an emotionally wrought and gripping coming-of-age tale. Centred on the taut relationship between two brothers, Pete and Jake, it is an u...
Sara Malik
Review: Radiator, Tristan Bates Theatre
Radiator has humour, pace, and wit. It delves into serious mental illness, unhindered by its harmless jokes and portrayed by a character who questions the meani...
Review: Veils, The So & So Arts Club
‘I hope they never force you to wear it, and I hope they never force me to take it off’ Veils attacks a subject head-on which we are all too afraid to really...
Review: Henry V, Southwark Playhouse
Henry V could not have graced the stage at a more poignant or apt time. Living in a society riddled with the drama of Brexit and surrounded by the even more con...
Review: The Doctor in Spite of Himself, Drayton Arms
The Doctor in Spite of Himself is a translation of Moliere’s hit French comedy. And it is a tongue-in cheek, highly self-conscious comedy at that. It is farce a...
Review: No Villain, Trafalgar Studios
No Villain is Arthur Miller’s little acknowledged first attempt at playwriting. It addresses themes of communism, equality, the typical American household and, ...
Sara Malik
Sara is a third year English Language and Literature student at King's College London. She can be found shamefacedly avoiding required reading, and instead enjoying that delicious chocolate cake at the National Theatre. And perhaps going to a play or two.