Review: Crave, Barbican
Sarah Kane’s Crave is a stylistic turning point in an oeuvre of brutal physical violence that up until its release in 1998 avoided straying from conventional st...
Barbican
Feature: 18 Titillating Theatre Productions Taking the Stage in 2018
I get that January is a long, hard, cold month and you’re still catching up with some of the life-changing productions 2017 had to offer (i.e. Hamilton), but it...
Review: Peeping Tom: Mother (Moeder), Barbican
Mesmerising, mercurial and miraculously weird. There are an abundance of words to describe Peeping Tom’s production of Moeder (Mother), but these few typify the...
Review: Julius Caesar, Barbican
Directed by Angus Jackson, Julius Caesar is the first of four productions presented by the Royal Shakespeare Company as part of their Rome Season. Written by Wi...
Review: Zero Point, Barbican
Inspired by the scientific and spiritual concepts of Zero Point energy, Zero Point is the most recent work by Array, the company of multi-award winning choreogr...
Review: Obsession, Barbican Centre
Omnipresent in London this season, Ivo van Hove has emerged as one of contemporary western theatre’s most divisive figures. I found his recent Hedda Gabler at t...