Review: Lady Eats Apple, Barbican Theatre
Presented under the Barbican’s new season, The Art of Change, in tandem with LiFT Festival and Back to Back Theatre, Lady Eats Apple is a piece exploring the fr...
Barbican
Review: Unexploded Ordnances (UXO), Barbican
A heptagon of light-up tables forms the thrust stage of The Pit Theatre at the Barbican. Interrupting the formality of the space are two red rocking chairs, and...
Review: Crave, Barbican
Sarah Kane’s Crave is a stylistic turning point in an oeuvre of brutal physical violence that up until its release in 1998 avoided straying from conventional st...
Feature: 18 Titillating Theatre Productions Taking the Stage in 2018
I get that January is a long, hard, cold month and you’re still catching up with some of the life-changing productions 2017 had to offer (i.e. Hamilton), but it...
Review: Peeping Tom: Mother (Moeder), Barbican
Mesmerising, mercurial and miraculously weird. There are an abundance of words to describe Peeping Tom’s production of Moeder (Mother), but these few typify the...
Review: Julius Caesar, Barbican
Directed by Angus Jackson, Julius Caesar is the first of four productions presented by the Royal Shakespeare Company as part of their Rome Season. Written by Wi...