Review: Not Talking, Arcola Theatre
Not Talking, Mike Bartlett’s very first play, has come to the Arcola Theatre, over 12 years after being published. Exploring conflict, simultaneously personal a...
Arcola Theatre
Review: Moormaid, Arcola Theatre
Suicide. Terrorism. Adultery. The themes of Marion Blott’s Moormaid don’t suggest comedy, but Marion Blott’s script is at its most promising when she offsets th...
Review: Corpus Christi, Arcola Theatre
I should have loved this play. I’m into Christ, I’m into being gay. Terrence McNally’s script, in the right hands and possibly another context, can probably rea...
Review: Hanna, Arcola Theatre
The stage is nearly empty, except for a chair and desk on a red carpet with a spiral pattern. A red-coloured spotlight shines light on the setting. A jug of wat...
Review: Callisto: A Queer Epic, Arcola Theatre
Four time periods, four gay relationships, and one masterpiece of writing. In 1680, Arabella Hunt, the star of the opera La Callisto, is engaged in one of the f...
Review: Angel, Arcola Theatre
Following The Collector and Echoes, Angel is the third play in the Arabian Nightmares series written by playwright Henry Naylor. Directed by Michael Cabot, the ...