4.0
Review: Dear Elizabeth, the Gate at Theatro Technis
If ever a show deserved to be written about exclusively in the present tense, it is the Gate’s Dear Elizabeth. A love letter to the concept of live theatr...
Katie Kirkpatrick
4.0
4.0
Review: The Entertainment, Edinburgh Fringe
Personally,
I love a good radio play. The
Entertainment is a brilliant one – it treats the form as an advantage as
opposed to a limitation, and in doing so pro...
3.0
Review: Four Sisters, Camden Fringe
Listen to the audio review of Four Sisters here. Ask any female
writer which fictional characters they most relate to and Jo March from Little Women is sure...
2.0
Review: Lost in Love, Flow Stage Productions
Listen to an audio recording of the review here. Sitting down to watch Lost in Love, I feel like I’m back in April or May when theatre was all online. Like...
4.0
Review: Hairspray, London Coliseum
Listen to an audio recording of the review here. A classic of modern musical theatre, Hairspray offers everything that makes the genre what it is: catchy m...
2.0
Review: Somewhere to Belong, Lion and Unicorn Theatre
Click here to listen to this review. In starting to write this review, I did a quick Google search for ‘stats for LGBT women in theatre’. These do not appea...
Katie Kirkpatrick
Katie Kirkpatrick studies French at the University of Oxford where she also edits the stage section of a student paper and has won two student playwriting awards. Outside of her degree, she writes and edits poetry, spends too much time on Twitter, and never stops talking about musical theatre.