Review: Exit the King, National Theatre
“An attempt at an apprenticeship in dying” That is Eugène Ionesco’s ambition when he writes his most classical play Exit The King in 1962. Being part of the ...
Anthony Ward
Review: Macbeth, Royal Opera House
According to Operabase, Verdi’s Macbeth is the 29th most performed opera, ranking higher than Cavalleria Rusticana and Salome. Perhaps with the intention of hel...
Review: Women on the Verge of a Nervous Breakdown, Playhouse Theatre
Good grief, why don't more West End shows dose up their characters on Valium? One of the highlights of Women on the Verge of a Nervous Breakdown, with the rest ...
Review: Private Lives
Noel Coward’s Private Lives is an absolute scream, much like those issued by divorcees Elyot and Amanda during their many sparkling skirmishes. It’s really...
Review: Hedda Gabler
Hedda Gabler at the Richmond Theatre is a poignant piece. One of Henrik Ibsen's finest and most celebrated works, it depicts the crowded and claustropho...