Review: The Pass, The Playground Theatre
Denise Marsa is one of a kind. She’s a force of nature, a life-affirming singer, an overwhelmingly positive presence. Fuelled by her passion, she walks on stage...
Anna Zanetti
Review: The Human Voice, Gate Theatre
The Human Voice is a monodrama, a stolen conversation, a phone call that no one is supposed to hear, perhaps not even the person on the other end of the line. A...
Review: The Village, Theatre Royal Stratford East
Taking a cue from Lope de Vega’s play Fuenteovejuna, The Village is a story of courage, love, politics and justice, and their respective nuances. From the Spani...
Review: The Second Violinist, Barbican
Sinister and lyrical, The Second Violinist begins with spectral lights illuminating, one after the other, all the spots of the incredible set design by Jamie Va...
Review: Love Lab, Tristan Bates Theatre
A white cube immersed in pitch black. Two minimalist beds and small pillows, a few cubic boxes, a pile of shiny silver cans neatly stacked. While this may sound...
Review: Alkaline, Park Theatre
There’s intimacy, verbal violence, and social agony in Alkaline. There’s also what one might define a sapient triumph of awkwardness and prejudice. This, togeth...
Anna Zanetti
Anna graduated from the University of Oxford with a BA (Hons) in Classics in 2016, specialising in Literature, Aesthetics and Ancient Art. Currently based in London, she has eclectic interests, including avant-garde art, cycling, reading, contemporary dance, opera, (watching) rugby, and anything to do with Latin. She tweets (@Annina_) and blogs (https://lifeandmasterpiece.wordpress.com) regularly.