Feature: Fear & Loathing: a transatlantic quest across a divided political landscape
In the lead up to the US elections, director Andrew Whyment, playwright Brad Birch and writer Adam Foster of London-based theatre company Squint hit the campaig...
America
Blog: We Live In A Global Society. Let’s Not Pretend The US Elections Don’t Matter Here
Six female students studying the arts share their reaction to the US elections, and how it impacts them and their work. On the day Donald Trump was elected, ...
Review: Human Emotional Process, Art Theatre London
It all starts at breakneck speed with two lovers clashing fencing foils. Cassandra wants only to marry, move in together and nest. But don’t confuse her for a g...
Review: Assassins, Menier Chocolate Factory
Another musical revival in the wake of British classics Evita and Cats comes from the other side of the Pond. Stephen Sondheim's Assassins, first performed in 1...
Review: The Collector, Arcola Theatre
After winning a Fringe First at this year's Edinburgh Fringe, The Collector is at the Arcola for a week showing off its critical treatment of the war in Iraq. H...
Review: The Prisoner’s Dilemma, Cockpit Theatre
American company Burning Coal revives three of David Edgar's plays on the 25th anniversary of the fall of the Berlin Wall. Your reviewer saw The Prisoner's Dile...