Review: Beauty and the Beast, Theatre Royal Stratford East
It's panto season, so get ready for singing along, holding hands with the stranger next to you and lots of "boooo!"-ing from the audience – all of which your re...
Senne Vercouteren
Review: The Wind In The Willows, Vaudeville Theatre
Based on the international classic by Kenneth Grahame, this Royal Opera House production (moving into a West End venue once again) was first performed in 2002 a...
Review: Back Door, Tristan Bates Theatre
Seen at the Edinburgh Fringe earlier this year, Back Door tells a story similar to Alfred Hitchcock's Rear Window. Now set in Paris, Tabitha (Laura Louise Baker...
Review: Assassins, Menier Chocolate Factory
Another musical revival in the wake of British classics Evita and Cats comes from the other side of the Pond. Stephen Sondheim's Assassins, first performed in 1...
Review: Letters From Everyone, Drayton Arms
A memorial in south London: the familiar sight of a bunch of letters, candles, flowers and postcards marking a crime scene. Young and homeless Sam (Amy Cornwell...
Review: Silent Planet, Finborough Theatre
A psychiatric prison in the USSR, 1978. We're on an island and see dissident author Gavriil (Graeme McKnight), a Ukrainian convict, in the interrogation room wi...
Senne Vercouteren
An aspiring theatre producer, Senne Vercouteren graduated from the Courtauld Institute and Birkbeck's MA in Creative Producing. Apart from writing for AYT, he has worked for The Corner Shop and interned at Bill Kenwright Limited. @SenneVercoutere