4.0
Review: Extraordinary Wall of Silence, HOME Manchester
With such a regular focus on the oral performance in theatre – always interested in the details of the delivery of a line – Ad Infinitum’s creative use of the ...
Ad Infinitum
4.0
Matt Gurney: “Some theatre companies use Deaf actors in a tokenistic way”
As Ad Infinitum's Extraordinary Wall of Silence starts its run at Bristol Old Vic, Co-Artistic Director, George Mann sits down with friend and colleague, Matt ...
4.0
Review: No Kids, Battersea Arts Centre
No Kids is much more than a play. It’s an argument, a discussion, a life decision. An exchange between real-life couple Nir Paldi and George Mann, No Kids asks...
Ad Infinitum: “It’s a serious problem we have and we’re not really facing it”
The team behind Chloe and the Colour Catcher, return with a very personal project about themselves - a same-sex couple and how and if they should have kids. ...
Review: Chloe and the Colour Catcher, Bristol Old Vic
Recently, I was discussing what’s in store for me next year with a friend. I’m months away from graduation, and I couldn’t be more terrified for its arrival. I ...
Edinburgh Fringe Review: Juana in a Million
If there was an award for ‘Most Misleading Title of the Fringe’, Juana in a Million would have to be a contender. Initially put off by the pun, I only realised ...