Edinburgh International Festival Review: Embers
A beach. A skull. A voice. Pan Pan Theatre's take on Samuel Beckett's 1959 radio play Embers is no easy experience. The piece focuses on Henry (Andrew Bennett...
International
Edinburgh International Festival Review: Dido and Aeneas/Bluebeard’s Castle
Some valuable life advice: if you're a female character in an opera, do not fall in love. Chances are you'll end up cursed, dead or trapped forever in your mu...
Edinburgh International Festival Review: Eh Joe
Lasting 30 minutes and with not a single word uttered from leading man Michael Gambon, you'd think that you were being taken for a ride with Samuel Beckett's ...
Edinburgh Fringe Review: It Needs Horses/Home for Broken Turns
(3/5 stars) Acclaimed choreographer duo Lost Dog uphold their reputation for provocative and dynamic work with this delectable double bill of dance theatre ...
Edinburgh International Festival Review: Madame Freedom
It's difficult to launch confidently into my response to Hyo Jin Kim's Madame Freedom. I wish I could say such difficulty was due to the fact that Madame Free...
Edinburgh Fringe Review: Champ
(3/5 stars) The three bears are having a bad day. A bad 27 days in fact – that's how far they are through their punishing run as children's entertainers in ...