Review: Edinburgh Fringe Festival, Trojan Horse, Summerhall
★★★ Trojan Horse, directed by Matt Woodhead, leaves us wanting more. Underneath the classical sounds of the tabla merging into a contemporary dance beat, we ...
International
Review: The Three Musketeers, St Paul’s Church
Thrilling in delivery, poignant in message and imaginative in production: The Three Musketeers is an experience bordering on magical. Although they are widely f...
Review: All Genius All Idiot, Jackson’s Lane
I'm not too sure what I was watching in All Genius All Idiot, and yet it seems to do exactly what it says it does. Four bizarrely dressed men, behaving in the m...
Guest Blog: Choose the props for a Parisian theatre festival
Can it really be only seven months? I’m pretty familiar with how living in a foreign city can do strange things with time – how the density of experience spe...
Review: King Charles III, Music Box Theatre
What if Shakespeare wrote about today’s royals, rather than kings from the sixteenth century and earlier? That’s the premise posited by King Charles III, a five...
Review: Fiddler on the Roof, Broadway Theatre
Fiddler on the Roof has been produced by countless schools and community theatres since it premiered in 1964, and it’s currently appearing in its fifth revival ...