Review: Mary Mary Mary, Smock Alley Theatre
What is the difference between generations? It’s a stretch to suggest that Fregoli Theatre Company, a troupe based on the west coast of Ireland, has had the lon...
International
Review: The Pillowman, Town Hall Theatre
Artists’ rights and principles are complicated issues. It’s tempting to take Katurian, the writer imprisoned by a totalitarian regime in The Pillowman, as a sta...
Review: Honeymoon In Vegas, Nederlander Theater
Jason Robert Brown can do much better than Honeymoon in Vegas. Brown, the composer of shows like Parade, The Last Five Years and The Bridges of Madison County, ...
Review: Little Dancer, Kennedy Center
The world première of Little Dancer, now playing at the Kennedy Center in Washington, D.C., could benefit from more dancing. That’s an odd thing to say about...
Review: Madame Butterfly, Opera Australia
An increasingly common phenomenon is the opportunity to watch a recording of a live show within a cinema. This was my first encounter. Viewing a live perform...
Review: The Little Foxes, Les Gémeaux, Paris
The plot of Lillian Hellman's 1939 play The Little Foxes (given the French title La Vipère here) is pure soap. Foxes or vipers, the Hubbards are not a family ...