Mayfest review: Brand New Ancients
Kate Tempest is blazingly good. Everyone's been telling me this for ages, and she won the Ted Hughes Award in March, but to see her take the stage and do he...
Festival
Brighton Fringe Review: Gather Ye Rosebuds
It was the blurb of Silva Semerciyan’s Gather Ye Rosebuds that drew me in, claiming to bravely be addressing issues of female circumcision and failures of the A...
Gateshead International Festival of Theatre: Sunday
GIFTed Tenderfoot: Homage en trois Well, the second day AYT spent at Gateshead International Festival of Theatre certainly lived up to the first. Sunday was...
Gateshead International Festival of Theatre: Saturday
Ana Mendes The Gateshead International Festival of Theatre (GIFT) is in its third year, and this one is the biggest to date. The four-day programme has a gl...
Adelaide Fringe Review: Choir Girl
The relationship between television and theatre has always been an intimate and challenging affair. So close are the two mediums, sharing audiences and industry...
Adelaide Fringe Review: The Book of Loco
Rational madness. What is it and why should we care? Alirio Zavarce's performance, The Book of Loco, attempts to outline his ideas on rational madness and why w...