Brighton Fringe Review: Late Night Love, The Marlborough Theatre
Absurdity is not that abundant in British theatre, and so I applaud Eggs Collective for bringing it back with Late Night Love. The show is inspired by the confe...
Ellen Carr
Brighton Fringe Review: The Book Binder, Sweet Dukebox
The first piece of theatre I ever saw was The Snowman and it was the magic of seeing someone flying on stage that drew me in to theatre. I still love the magic ...
Brighton Festival Review: Our Ladies of Perpetual Succour, Theatre Royal Brighton
It is sad that it’s still rare to see a stage dominated by women, so I’m pleased the cast of Our Ladies of Perpetual Succour dominated in the way they did. The ...
Brighton Fringe Review: Leaving Home Party, Latest 7 Music Bar
Catherine Ireton has a disarming voice and in Leaving Home Party she uses it to tell the story of how she left home, returned, and left again. Her personal stor...
Brighton Festival Review: Can I Start Again Please, Brighton Dome
Can I Start Again Please is a challenging performance about the capacity of language to represent traumatic experience, particularly childhood sexual abuse. It ...
Brighton Fringe Review: Menkind, Rialto Theatre
Menkind by Embrace Theatre is about Barry, Alan and Martin’s journey into deep space on a Starr Intergalactic Tour Capsule. They are on a stag do, and the piec...
Ellen Carr
Ellen is Artistic Director of Witness Theatre, a company she established after graduating from the University of Sussex in 2011. Ellen writes, directs and produces for Witness Theatre and spends the rest of her time doing more writing. She is currently writing her own blog witnesstoexperience daily, contributes regular features to One Stop Arts and can also be found writing the occasional screenplay.