Can we watch and create theatre without any political intention? Is apoliticism an insidious tool? After watching two very different shows, Aidan Bracebridge i...
After watching the Harvey Weinstein based play, Bitter Wheat, Farah Najib wonders whether theatre is there to upset us and why her reaction was so different to...
Like many of us, Emma Bentley was not happy to see Emilia close early. Here, she ponders why: bad ticket sales? bad marketing? The white men at the 'top'? W...
Gus Mitchell talks about the environmental, political fuck-ups and drum n' bass concept albums with one of the performers currently in the Pleasance Theatre's ...
Josephine Balfour Oatts attends an event in which ex-Artistic Director of the Gate Theatre, Christopher Haydon talks about his and the role in general. There m...
Theatre with strong political messages continue to dominate and we continue to be inspired and agree with said messages. But shouldn't those who don't 'get it'...