4.0
Review: Little Wars, Union Theatre
As the world of art is restricted by lockdown 2.0, we’re forced to return to the old, new ways we had devised to keep theatre going while we all hunker down in...
Jessica Handscomb
4.0
3.0
Review: Elephant’s Graveyard, The Production Exchange
You know what we all need right now? In such a bleak, sad time such as this? An utterly depressing true story about human ignorance and the unthinkable cruelty...
5.0
Review: St. Anne Comes Home, St. Paul’s Church Courtyard
Who’d have thought that we’d all be gathering round to watch a new folk musical by the end of August? Not me – I thought we were goners until at least Christma...
4.0
Review: Watching Rosie, Original Theatre
In June 2018, I reviewed Louise Coulthards’ Cockamamy at The Hope Theatre. It was the good old days, pre-virus, in which we could sit shoulder to shoulder in t...
3.0
Review: Charlie Ward at Home, Sound&Fury
Charlie Ward (presumably a pun on Charley’s War, the famous 1979 comic strip centred on an underage soldier) was first staged in 2014, to commemorate the cente...
2.0
Review: Declan, The Actor’s Centre
Ghost stories, amongst the streamable theatrical content on offer to us in lieu of a proper theatre trip, seem to be more popular than usual at the moment. Per...
Jessica Handscomb
Sub Editor
Born and raised in North London, Jessica studied for a BA in English at Goldsmiths. When she’s not at the theatre, she’s either talking to her plants or wasting her finite hours on earth re-reading the same few Wendy Cope poems.