Edinburgh Fringe Review: The Beginning
(3/5 stars) Hovering somewhere between rehearsal and the real thing, between table read and tech-run, Michael Pinchbeck's The Beginning is an intricate and ...
Devawn Wilkinson
Edinburgh International Festival Review: Madame Freedom
It's difficult to launch confidently into my response to Hyo Jin Kim's Madame Freedom. I wish I could say such difficulty was due to the fact that Madame Free...
Edinburgh Fringe Review: (As/Des)cent
(2/5 stars) Though positing itself as a great British ghost story, DBS Productions's two-hander (As/Des)cent is disturbing for all the wrong reasons. Plot-w...
Edinburgh Fringe Review: Snap out of It!
It's always a difficult moment when the "customer under a train" announcement is made on the Underground. There's a discomfort that arises not merely from the e...
Edinburgh Fringe Review: Turbulence
(2/5 stars) Entita Company's Turbulence, billed as a prequel to The Tempest, asks a novel but really quite needless 'what if..? of Shakespeare's final play...
Edinburgh Fringe Review: Champ
(3/5 stars) The three bears are having a bad day. A bad 27 days in fact – that's how far they are through their punishing run as children's entertainers in ...
Devawn Wilkinson
Devawn is a London-based writer, performance poet and aspiring theatre-maker. As a reviewer, she has written for A Younger Theatre, Theatre Royal Stratford East and Exeunt Magazine.