Edinburgh International Festival Review: SisGo
When the usher announces that we are about to led onto the 'dance floor', there's a shiver that runs through the waiting audience in the auditorium of the Fes...
Devawn Wilkinson
Edinburgh Fringe Review: How To Avoid Making An Entrance of Yourself
(3/5 stars) I've been listening to Dot Howard speak for nearly an hour now. I've had her words in my mouth. I've seen her tongue emerge, red and real, throu...
Edinburgh Fringe Review: The Veil (Le Foulard)
(3/5 stars) Silence please, the Artist is speaking. We, the audience – the unenlightened and uninitiated – are here to be instructed in the art of... Art. ...
Edinburgh Fringe Review: Positive
(3/5 stars) Playwright Shaun Kitchener's work has developed astonishingly since his initially intriguing but ultimately unspectacular one-act It Never Rains...
Edinburgh Fringe Review: The Worst of Scottee
(3/5 stars) Scottee sits in a photo booth, a box within the box space where we sit patiently, waiting for him to look at us. He is looking at us, or at leas...
Edinburgh Fringe Review: Daydream
(4/5 stars) Would you like to leave Edinburgh? I mean, I'm sure you're having a lovely time, but it's very... very... extremely...[insert your own personal ...
Devawn Wilkinson
Devawn is a London-based writer, performance poet and aspiring theatre-maker. As a reviewer, she has written for A Younger Theatre, Theatre Royal Stratford East and Exeunt Magazine.