Edinburgh Fringe Review: Genesis/Golgatha
(4/5 stars) In a rather obscure Assembly venue space tucked behind a construction site, two of the most famous people in the world take the stage in order t...
Devawn Wilkinson
Edinburgh Fringe Review: The Tin Ring
(5/5 stars) Dignity, passion and human resilience take centre stage in this compelling and considered adaptation of Zdenka Fantlova's memoir, The Tin Ring, ...
Edinburgh Fringe Review: Sweet Pang is Innocent
(1/5 stars) With its blaring music, gaudy coloured lights, amplified vocals and soulless sexuality, Sweet Pang is Innocent seems intent on creating the most...
Edinburgh Fringe Review: Long Distance Affair (make possible an impossible trip)
(3/5 stars) "Would you like a kiss?" asks my Long Distance Affair guide during her off-beat and quasi-poetic opening speech that explains the practicalities...
Edinburgh International Festival Review: Dido and Aeneas/Bluebeard’s Castle
Some valuable life advice: if you're a female character in an opera, do not fall in love. Chances are you'll end up cursed, dead or trapped forever in your mu...
Edinburgh Fringe Review: The Boss of It All
(4/5 stars) A struggling actor takes on a corporate role-play job – not a particularly innovative story line, you might think, but when it's New Perspective...
Devawn Wilkinson
Devawn is a London-based writer, performance poet and aspiring theatre-maker. As a reviewer, she has written for A Younger Theatre, Theatre Royal Stratford East and Exeunt Magazine.