Edinburgh International Festival Review: Dido and Aeneas/Bluebeard’s Castle
Some valuable life advice: if you're a female character in an opera, do not fall in love. Chances are you'll end up cursed, dead or trapped forever in your mu...
Devawn Wilkinson
Edinburgh Fringe Review: The Boss of It All
(4/5 stars) A struggling actor takes on a corporate role-play job – not a particularly innovative story line, you might think, but when it's New Perspective...
Edinburgh Fringe Review: Peep – ‘La Petite Mort’ and ‘Sex Life’
(3/5 stars) You have to hand it to whoever at Natural Shocks thought of pitching the PEEP tent – all black industrial plastic and lurid pink neon – right in...
Edinburgh Fringe Review: It Needs Horses/Home for Broken Turns
(3/5 stars) Acclaimed choreographer duo Lost Dog uphold their reputation for provocative and dynamic work with this delectable double bill of dance theatre ...
Edinburgh Fringe Review: The Epicene Butcher and Other Stories for Consenting Adults
(2/5 stars) The Japanese art of Kamishibai – which translates as 'paper drama' – receives a drastically modern incarnation in this curiousity arousing but u...
Edinburgh Fringe Review: Two is the Beginning of the End
(2/5 stars) In a palatable mixture of J.M Barrie and autobiographical material, Fishbowl Theatre offers up a unique deliberation on growing up and 'getting ...
Devawn Wilkinson
Devawn is a London-based writer, performance poet and aspiring theatre-maker. As a reviewer, she has written for A Younger Theatre, Theatre Royal Stratford East and Exeunt Magazine.