Review: The Way Back Home, Young Vic
It is scientifically proven that music is beneficial for young children’s development. The UK has various different pre-school activities for young ones stimula...
Camilla Gurtler
Review: Peter Pan, Polka Theatre
Creating pioneering theatre for a younger audience, Polka Theatre takes on the much loved story of the boy who never grows up, a story that has stayed with us f...
Review: The Gospel According to the Other Mary, London Coliseum
Known for his quirks and inventiveness, Peter Sellars transforms ENO into a visually mesmerising view on the gospel, seen from the perspective of Mary Magdalene...
Review: Idomeneo, Royal Opera House
For a younger generation, opera is often thought to be stiff and too pompous, something removing itself from the bluntness and reality of life and staging grand...
Review: The Cherry Orchard, New Wimbledon Studio
Reinventing the classics can open up some incredible theatrical choices. Relating to today’s world of city problems and mayhem, the works of the past can open u...
Review: Girlfriends, Union Theatre
Joining the remembrance of Britain at war, the World War II musical Girlfriends transforms the intimate space at the Union Theatre into a Bomber Command air bas...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.