Review: The Indian Queen, London Coliseum
Known for his eccentric and often visually glorious productions, American director Peter Sellars has created his own version of Henry Purcell’s The Indian Queen...
Camilla Gurtler
Review: Rosie’s Magic Horse, Canada Water Culture Space
Rosie’s parents can’t pay the bills. While most children now use their imagination to focus in on the iPad, Rosie hasn’t got one. She’s got ice-lolly sticks, an...
Review: A View from the Bridge, Wyndham’s Theatre
Since its revival at the Young Vic last year, Ivo van Hove’s A View from the Bridge has been on everyone’s lips: it is the show everyone urges you to see, the s...
Review: Othello, Rose Playhouse
One of the reasons why Shakespeare is the heart-blood of English theatre is not only his extraordinary ear for language, but even more so for the humanity in hi...
Review: Arthur’s World, Bush Theatre
With technology being a constant, growing threat to how people interact with each other – how social media can alienate and provoke apathy – Arthur’s World at t...
Review: HVI: Play of Thrones, Union Theatre
Henry VI: Part I, II and III are some of Shakespeare’s greatest but most challenging history plays. Lasting about nine hours in performance, Henry VI is a long ...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.