Review: Ariadne auf Naxos, Royal Opera House
What is so powerful about Greek mythology is that its worldly themes have survived a myriad of generations. What was a re-telling of the human condition, meant ...
Camilla Gurtler
Review: Hobson’s Choice, Regent’s Park Open Air Theatre
One of the treasures of the London theatre scene is when summer finally shows its face and the open air season begins. There is a charming sense of community wh...
Review: The Corruption of Dorian Gray, Lion and Unicorn Theatre
Oscar Wilde’s provocative tale of the innocent Dorian Gray’s transformation from virtue into a life of hedonism is often retold on stage and is a wonderful play...
Review: Benvenuto Cellini, English National Opera
Terry Gilliam, member of cult comedy team Monty Python, is renowned for his anarchic style, vivid imagination, and his use of surreal imagery in his storytellin...
Review: A Midsummer Night’s Dream, The Globe
When the Globe opened the doors for foreign companies performing Shakespeare in their native language with Globe to Globe in 2012, they opened up Shakespeare’s ...
Review: Between Us, Arcola Theatre
John Burgess’ new production Between Us at the Arcola Theatre mixes stand-up and thought-provoking monologues, questioning inequality and how we are living our ...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.