Review: Oresteia, Almeida Theatre
Two millennia after its first performance Aeschylus’s Oresteia is as relevant to the heart of our society as it ever was. One of the world’s oldest family drama...
Camilla Gurtler
Review: Fowl Play, Puppet Theatre Barge
Little Venice is one of those places in London that feels like a romantic dream – something completely remote from the buzz and stress of an energetic city. It ...
Review: Hamlet, Barbican
There is an unapologetic sexiness about Shakespeare in foreign languages. Any performances in a language you don’t understand will be a sensuous experience of r...
Review: Swanhunter, Linbury Studio Theatre
Storytelling taps into something magical from our childhood, a liberty in transporting ourselves to another world with characters and creatures that become as a...
Review: Error 404, Polka Theatre
There are many questions in life we don’t know the answer to. Often they question our being, our morals and humanity, and often they aren’t particularly pleasan...
Review: Antigone, Barbican
Following the mega-success of The View from the Bridge – the play everyone is talking about, the play you’d want to sell a relative to get tickets to – the powe...
Camilla Gurtler
Camilla is a director and writer originally from Denmark, now living in London. She trained on the Young Directors' Programme with StoneCrabs Theatre Company and is currently doing her MA in Directing at Drama Centre.