3.0
Review: Godot is a Woman, Pleasance Theatre
It is 2021 and the company of Silent Faces are still
waiting for Godot. But there is just a tiny problem – they are not men. Josie
Underwood, Jake Wakely and C...
Waiting For Godot
3.0
Josie Underwood: “If Macbeth was a woman, it would be a different play”
Writer Eleanor Dewar speaks to Josie Underwood, co-founder of the theatre troupe Silent Faces, about not adapting Samuel Beckett, gender in Shakespeare, and ch...
Review: The Prisoner, The National Theatre
“I am here to repair”, calls out our lead, surrounded by the sun-drenched desert. His story is entrapped by its own ideas, aesthetically interesting, but themat...
Review: Unexpected Joy, Southwark Playhouse
Mamma Mia! meets Waiting for Godot; the glamour and pop soundtrack reminiscent of ABBA, intermingles with harmonies consisting of major thirds and combining wit...
Review: The Garden, Tristan Bates Theatre
Have you ever wondered what it would be like to be stranded in a garden with someone you find vaguely irritating while only surviving on a diet of onions and te...
Review: Waiting for Godot
Amongst the looming skyscrapers from which, I imagine, many of us secretly plot our escapes from the nine-to-five drudgery, two tramps are plotting their own vi...