Review: The Braille Legacy, Charing Cross Theatre
For the blind, there is no need to have colour in the world. Thom Southerland’s production of The Braille Legacy is devoid of such frivolities – a black and whi...
Thom Southerland
Review: Titanic, Charing Cross Theatre
Earlier this year it was the talk of the musical theatre world when Thom Southerland was appointed the first Artistic Director of Charing Cross Theatre, with th...
Review: Grand Hotel, Southwark Playhouse
Of all the productions currently showing on the West End, there are very few that opened there without previewing or transferring from somewhere smaller. It may...
Review: The Mikado, Charing Cross Theatre
Gilbert and Sullivan's operettas have been a staple of the theatre repertoire – amateur and professional – since they were first performed at the end of the nin...
Review: Titanic
Titanic is quite a grand and ambitious undertaking for a musical, and some unfamiliar sceptics might see the title and expect a disaster as colossal as the sh...
Review: Mack and Mabel
I have to be honest and admit that musical theatre, at least the smash-hit West End kind, is not usually my cup of tea. I rarely see a show advertised on the ...