Guest Blog: Starting an opera career
For the past three weeks I have been working to develop the role of Prince Aiden in Mahogany Opera Group's newest operatic adventure for children, The Rattler. ...
Guy Withers
Review: Kodo One Earth Tour 2016: Mystery, Barbican Centre
A sold-out Barbican Hall welcomed Kodo for an anniversary performance and premiere in one. The Taiko Performing Arts Ensemble celebrates 35 years of worldwide t...
Review: The Magic Flute, ENO
Collaboration in theatre only makes for stronger artistic productions. Through sharing ideas with others, engaging other artists and companies with unique skill...
Review: The Barber of Seville, English National Opera
Though composed after The Marriage of Figaro, Mozart's dramma-giocoso masterpiece, Rossini's Barber of Seville is the first in Beaumarchais trilogy of plays. It...
Review: Don Giovanni, Royal Opera House
This, the first revival of Kasper Holten's Don Giovanni, is a production full of visual spectacle. His ability to pull the spectator's focus with lighting desig...
Review: La Boheme, Royal Opera House
Puccini's La Bohème is a mini masterpiece. It's concise and relatively short by operatic standards, but also fulfils the criteria of some gorgeous arias and ens...
Guy Withers
Guy Withers is a tenor, theatre maker and recent Cardiff University Music Graduate from Bristol studying with Ryland Davies. He is a member of Bristol Opera and Tessitoura, and in addition has sung with many companies around the UK. He is co-founder and Artistic Director of Indomitable Productions, a multi-disciplined performance company, and an Ambassador for The Bristol Old Vic.