Review: Pinter Three, The Harold Pinter Theatre
I think Pinter Three finds a perfect balance in showing the purpose of theatre; capturing the idea of release, enjoyment and escapism but conjoining it with ser...
Tamsin Greig
Review: Labour of Love, Noël Coward Theatre
When a play has two acclaimed actors in its starring roles, the ability to bring in an audience each night goes without saying. However, when you get the chance...
Blog: Why Shakespeare’s male characters should be for anyone to “get their mitts on” – regardless of gender
Won’t someone please think of the men? Why one AYT critic took issue with the Telegraph’s Dominic Cavendish’s plea for women to steer clear of Shakespeare’s mal...
Review: Twelfth Night, National Theatre
The National Theatre’s promotional campaign for Simon Godwin’s new Twelfth Night has been all Tamsin Greig, all the time. The video trailer and the programm...
Review: Women on the Verge of a Nervous Breakdown, Playhouse Theatre
Good grief, why don't more West End shows dose up their characters on Valium? One of the highlights of Women on the Verge of a Nervous Breakdown, with the rest ...
Review: The Trojan Women
Upon entering the tiny Gate Theatre, the audience is transported into a prison facility-cum-hospital, with three beds taking up most of the space in what is -...