Edinburgh Fringe Review: Legs 11
It is not merely a boast when Tom Marshman tells us he has the sixth best legs in the country. In fact, it’s pretty much a proven fact. Last year, Marshman put ...
Summerhall
Edinburgh Fringe Review: Flâneurs
Flâneurs isn't a so much a show as a reaction. Months ago, Jenna Watt's friend Jeremy was attacked. This piece of performance art aims to reverse the bystander ...
Edinburgh Fringe Review: Songs of Lear
When we think of Shakespeare we are drawn to his words and poetic form, but how often do we see a production through the images that are created from the text? ...
Edinburgh Fringe Review: Red, Like Our Room Used To Feel
In an otherwise busy Fringe Festival, those rare spaces to breathe should be savoured – preferably with a nice glass of port or a hot cup of tea. Red, Like Our ...
Edinburgh Fringe Review: Ceasarean Section. Essays on Suicide
Any lover of theatre will be able to look back and pinpoint a moment in their theatre-going and tell you that a production that was the best thing they have see...
Edinburgh Fringe Review: Puppet. Book of Splendor
The Polish theatre director Tadeusz Kantor first came to the Edinburgh Fringe Festival back in the early nineties with The Dead Class, a piece fuelled by his st...