Review: Rosencrantz and Guildenstern are Dead, Old Vic
‘Almost everybody thinks of himself as a nobody. A cipher, not a cog.’ These are the nullifying, yet somewhat pertinent, words of playwright Tom Stoppard when d...
Stoppard
Review: Pentecost, Cockpit Theatre
November 2014 marks the 25th anniversary of the fall of the Berlin Wall, and one could reasonably argue that now is a good time to stage this ambitious producti...
The Play’s the Thing: Should Shakespeare be in the spotlight?
Following the announcements about 2012’s World Shakespeare Festival, the Bard takes centre stage yet again. Beginning on the great man's birthday, the festival ...