Review: Beautiful, Aldwych Theatre
For reasons that should be clear from my bio picture, I have a soft spot for Carole King, because of her hair. On the cover of Tapestry, it’s a giant, wispily c...
Lily Levinson
Review: The Man Who, CLF Art Café
The Man Who was written by Peter Brook and Marie-Helene Estienne in 1993 as L’Homme Qui, based on Oliver Sacks’s 1985 best-seller, The Man Who Mistook His Wife ...
Review: Eric and Little Ern, St James Theatre
Towards the end of Eric and Little Ern, I realised that I was suppressing a fairly urgent desire to climb onstage, grab Jonty Stephens’s jowly face and shout at...
Review: Aladdin, Shaw Theatre
Audience participation isn’t really my thing. It’s more like the opposite of my thing. If I’d been personally addressed by Widow Twankey (Chris Dennis) at any p...
Review: Tiger Country, Hampstead Theatre
Even in the three years since Nina Raine’s Tiger Country was last staged at the Hampstead Theatre, the rate at which the NHS is being sliced into privately-owne...
Review: Dare to Sea, Jacksons Lane
Dare To Sea is aimed at very young children and so, out of necessity, follows a simple narrative: it uses no words. A fisherman (Colin Jolet) catches a fish for...
Lily Levinson
Lily Levinson graduated in 2013. She lives in London, and is currently working for the literary department of the Finborough Theatre.