Review: Consent, Harold Pinter Theatre
Going into a play called Consent, complete with trigger warnings about sexual assault outside, it comes as a surprise to discover that the play is somewhat of a...
Stephen Campbell Moore
Review: Photograph 51, Noel Coward Theatre
“I suppose she just wasn’t exceptional enough”: at first a seemingly passing statement but in the final moments of Anna Ziegler’s play, Photograph 51, Nicole Ki...
Review: Berenice
Berenice conforms to the governing rules of the 'unities' laid out by Aristotle, which require the play to be ‘coherent, a unified whole, within twenty-four hou...