Review: Antony and Cleopatra, National Theatre
Simon Godwin delivers a great big fuck-off Shakespeare at the National, and it’s everything you’d expect it to be. Antony and Cleopatra is perhaps the most n...
Simon Godwin
Review: Twelfth Night, National Theatre
The National Theatre’s promotional campaign for Simon Godwin’s new Twelfth Night has been all Tamsin Greig, all the time. The video trailer and the programm...
Review: The Little Mermaid, Bristol Old Vic
The Hans Christensen Anderson version of The Little Mermaid is pretty unpleasant – our heroine feels like she's walking on broken glass every time she s...
Review: Routes
Rachel De-lehay’s latest play doesn’t reveal anything we didn’t already know; a harsh and unfair immigration system devoid of all concern for emotional ties o...
Review: Candida
Written in 1894, George Bernard Shaw's Candida is a play deeply rooted in its time, making it tough to stage a production that is palatable to a modern audien...
Spotlight on: Playwright Joel Horwood
Think that short has to be sweet? Think again. In Short and Stark, a flavoursome assortment of nimble plays opening at Southwark Playhouse at the beginning of J...