In a tragedy as old as this one, pulled from the bible by Oscar Wilde for his masterpiece play back in 1891, it always surprises me how captivating such sorrow...
Emma Bentley has second thoughts about unwelcome contemporary dance spaces as she talks to Harriet Waghorn of Edifice. They discuss female power, audience conn...
Plenty of pretty sand swirls around the stage of the National Theatre in director-writer Yaël Farber’s new play Salomé. But that’s not enough to conceal the bar...
Salomé is the femme fatale extraordinaire, as uncompromising as she is cruel – a spoiled princess who knows what she wants and won’t settle for less, equal part...