Review: Used To Be Blonde, Sadler’s Wells
41 bodies move as one. That is Used To Be Blonde: a skilful and professional, emotionally and physically demanding dance performance which unites the young d...
Sadlers Wells
Review: Face In / Let’s Talk About Dis, Sadler’s Wells
This March, acclaimed contemporary dance company Candoco return to Sadler’s Wells with a double bill: Face In and Let’s Talk About Dis. Founded in 1991 by Celes...
Review: María Pagés Compañía: Yo Carmen, Sadler’s Wells
As part of Sadler’s Wells’ fifteenth annual flamenco festival, María Pagés and her company take on Bizet’s opera and present their version of Carmen’s story in ...
Review: Ishq, Sadlers Wells
It is hard, almost impossible to review Ishq as a piece of theatre independent of the context from which is has come. Ishq is the first ever Sufi Anglo-Punjabi ...
Review: MC 14/22 (Ceci est mon corps) / Emergence, Sadler’s Wells
Following a successful run at the Edinburgh Fringe Festival 2016, Scottish Ballet return to Sadler’s Wells with the double bill MC 14/22 / Emergence by Angelin ...
Review: Milonga, Sadler’s Wells
A sumptuous exploration of modern tango, Milonga (m¡longa) first premiered in London in 2013 and has now returned for its first UK tour. Choreographed and direc...