4.0
Review: Scenes For Survival – Larchview, National Theatre of Scotland
Now who in this country could ever forget the scandalous misdemeanours of Dominic Cummings and his trip to Durham? What a political mess. Or what about the res...
Rob Drummond
4.0
Review: The Majority, National Theatre
Rob Drummond is on a democratic mission. Part game-show, part-memoir, Drummond’s latest experimental work – The Majority - is founded in truth “more or less” as...
Edinburgh Fringe Review: In Fidelity, Traverse Theatre
At first glance of its synopsis, In Fidelity sounds like a gimmick. “Part TED Talk, part theatrical experiment” and with the inclusion of “a live onstage date”,...
Blog: Not in Edinburgh? View From Here brings new Scottish writing to London
If you can’t make it up to Edinburgh this year, View From Here festival is set to bring a carefully curated selection of new Scottish writing to London. Philipp...
Review: Bullet Catch
Bullet Catch is "not a magic show" protests Rob Drummond the show's Director, Writer and Performer, "it’s a theatre show, featuring magic". So why do I feel l...