It’s 1985 and we’re in New York’s red light district. There’s nothing extremely exciting about a dimly lit set which greets the audience, oozing in red paint an...
It is often said that the best writing comes from one’s own life experiences. Whilst to follow this maxim seems frightfully limiting and, in my case, would almo...
There are plays about murder, about incest, torture and all kinds of other unimaginable cruelties and taboos, but The Distance, a new play by Deborah Bruce, int...
There’s something rather brazen about theatre graduates springing out of university with a musical about how difficult it is to find enriching work after gradua...
The forces of society and the drives of the individual are not the best bedfellows in this racy take on Émile Zola’s classic, from adapter/director Nona Sheppha...
There are few plays that sit in the genre of gay dramatic literature and stand out as unarguably necessary and canonical, surpassing their temporality and remai...