Review: The Oil and The Shard, Camden People’s Theatre
In an ideal world, we all want to do something in the face of injustice. We all want to tackle social inequity, feed the homeless and save the polar ice caps. A...
George Washbourn
Review: Eight, White Bear Theatre
Monologues are a risky business in theatre. Not least of all for the performer who, without the cushioned padding of their fellow entourage, bear their naked so...
Review: Lava Lamps, RADA Festival
Part of the ongoing RADA Festival, the curiously titled Lava Lamps, written and performed by Imogen Hudson-Clayton, is a dissection of modern womanhood in all i...
Review: Othello, The Pack and Carriage
The hipster hub of The Pack and Carriage plays host to an entertaining and impassioned production of Shakespeare’s Othello, directed by Vince A. Gill and Sasha ...
Review: The Red Chair, Soho Theatre
Adapted from her own book of the same title, Soho Theatre welcomes Sarah Cameron’s The Red Chair into the throng, in all its linguistic richness. A delectable, ...
Review: Mr Sole Abode, Shoreditch Town Hall
Taking inference from Ben Okri’s novel The Famished Road, Leo Kay brings his 2007 show Mr Sole Abode to Shoreditch Town Hall. Constituting a brief insight into ...
George Washbourn
George is a freelance Arts Journalist, specialising in Film and Theatre. He writes for the Huffington Post, The Guardian, Candid Magazine and others. He is currently studying Arts & Sciences at UCL.