Edinburgh Fringe Review: The Tap Dancing Mermaid, Summerhall
Marina Skippett loves to tap dance. She does it waiting in line for the supermarket, along the street, even in bed while she is asleep. But when her i...
Review
Edinburgh Fringe Review: Goodstock, Pleasance Courtyard
Plays about cancer can go one of two ways: sad or ironic. Sad cancer plays focus on the devastating emotional effects of cancer and are generally tear-induc...
Edinburgh Fringe Review: The 56, Assembly George Square
How do we remember and recover in the aftermath of a tragedy? The 56 ends in stillness, the three actors turned away from the audience, as the names of the ...
Edinburgh Fringe Review : Morro and Jasp Do Puberty @ Gilded Balloon
There is, as always, an extraordinarily tall man sitting in front of me. His neck placed directly between my head and the stage, he turns in the middle of t...
Edinburgh Fringe Review: Fourth Monkey’s Grimm Tales: Hansel and Gretel, theSpace @ Niddry Street
It’s no secret that most of our fairytales were considerably weirder before Disney got their hands on them. Everything from Cinderella to the Pied Piper has...
Edinburgh Fringe Review: Blind Man’s Song, Pleasance Dome
Love at first sight is phrase too often used lightly in a world obsessed with visuals. Blind Man’s Song is a wordless snapshot into love in a sightless worl...